Sunday, April 19, 2015

Periyamarai Sri Srinivasa Perumal Temple

Periyamarai is situated 10 kms from Thiruvaiyaru in Thirumanur Post , near Sullangudi village in a peaceful rural surroundings. An impressive arch welcomes us into Periyamarai. Few houses greet us and the main road is well cemented. A tall majestic Dwajasthambham has been erected as one of the recent additions.

Srinivasa Perumal and Alamelmangai Thaayar are the presiding deities at this temple. This is believed to be an ancient temple and has been around for more than 1000 years and was built by Chola Rajas. Utsavar is so captivating that people call him Kan Niraindha Perumal (கண் நிறைந்த பெருமாள்). He is also called as Kalyana Venkatesar . Those desirous of Marriage and Putra Bhagyam are blessed by this Perumal. Utsavar is also called Veda Narayanan because that village name Periyamarai, marai means Vedam.

About 25 years ago , the Utsava Murthis were stolen from the temple. The thieves took them to the near by Kaveri padukai , where they suddenly lost their eye sight and unable to carry them further , they left the Utsava Murthis there. It was found by the local people and restored to the temple after long procedure.
This temple was kept closed till about 10 years , when Perumal appeared in the dreams of Sri Renganatha Desikan , the current trustee who maintains the temple, directed him to open the temple and start daily aradhanams. Based on this he has made many efforts in renovating and conducting Maha Samproshnam for this temple. One can now, find new sannidis for Hayagreevar, Chakrathazwar, Oragattan , Guruvayur appan and Swami Desikan. Sannidhis for Thayar and Renganathar were also renovated

Utasavar adorns Vyapaka Mudrai akin to Danvanthiri Perumal and is believed to cure His devotees of ailments of all sorts. The trustees have appointed an exclusive Bhattar at the temple. Narayana Bhattar is young and active and takes good care with focus on increasing the visitors and improving the festivities. People of this village and its surroundings visit the temple especially during Saturdays and worship. Baghavathas travelling to either Kumbakonam, Srirangam , Thrivaiyaru or Thanjavur are requested to visit this beautiful temple and worship Lord Srinivasa and Alarmel Mangai Thayar and seek their Blessings.

Srirangam Kumbhabhisheka Thilakam, Sri.Sara Narayana bhatar, MA(Aagamam) who has finished 8 yrs of study in Aagamam sasthras who also conducts many Kumbhabhishekams in South India , can be contacted for Seva at this temple at +91 9003800574

Sri Renganatha Desigan Swami has arranged daily Sahasranama archanai.. Akshaya Thritjyai ,Garuda Vahanam, Karthigai Deepotsavam, Dhanurmasa Utsavam and Laksharchanai.

Another humble request is made to all those who are from this area and those desirous of making a Kainkaryam,

To contact : Sri Renganatha Desikan Swami , Trustee- Periyamarai Srinivasa Perumal Seva Samithi

Mobile : + 91 9381026729.

Madurai Temple


Acoustic Marvel of Madurai Temple

Ancient Tamils have used the principles of “vibration of bodies” in constructing musical pillars in Madurai Meenakshi Temple, according to a study made by a team of ENT specialists in Tamil Nadu on the acoustic beauty of this glorious temple. 

The sculptors have cleverly varied the length and diameter of the pillars to obtain different musical sounds choosing the right type of stone. By using the same stone, but by varying the shape, they were able to achieve it.

Besides the medical team led by Dr S Kameswaran, Project Director and Chief of the ENT institute in General Hospital, Madurai, geologists, musicologists and audiologists took part in the research. HRCE of Tamil Nadu Government funded this research project.

The study team is of the view that the temple is an ‘acoustic marvel’. The noise level at the Ashta Sakthi Mandapam situated near the road was only 40 decibels during non visiting hours. Near the Lotus Tank and adjoining sanctum sanctorum (Garba Gruha), the sound level is again in the order of 40 DB. With this ambient noise it is possible for a person to contemplate and meditate the divinity. The sound level recorded during the peak hours in the evening is of the order of 70 to 80 DB. What is remarkable is there is absolutely no echo in any part of the temple and even with all the crowd around, the sound level seldom exceeds 80DB. There is built in mechanism for containing the echo and at the same time, the total noise does not exceed a specific level.

The artisans who built this huge temple must have been aware of the basic principles of acoustics. The huge icons on the unpolished pillars, the distribution of vents, the allocation of open spaces all around, are all mechanisms to contain the noise level, says the study team.

Again, the Hall of Thousand Pillars is a classical example of perfect sound engineering technique. The hall has got very low ceiling with 985 pillars—each pillar averaging about 12 feet in height. All are exactly of the same size and shape and at mathematically accurate positions. Many can sit in this echo resistant hall to hear the entire proceedings in quietitude.

The team which also studied the architectural beauty of the Meenakshi Temple saw an interesting feature of the floor in Kambaththadi Mandapam in the outer prakaram (corridor) in front of the Lord Sundareswarar. One finds large square slabs arranged from end to end covering conduits carrying drinking and drainage water separately and admired the perfect example of hygienic planning of the ancient architects. Even in recent times, with heavy downpour, one seldom sees stagnation of water inside the Mandapam

Virinchipuram Temple


Virinchipuram Temple Inscription: Say No to Dowry by Brahmins of Padaividu kingdom 

A Tamil Inscription from Margabandeswarar Temple in Virinchipuram offers some respite for DOWRY, THE SOCIAL CURSE that has vexed Brahman community during the reign Devaraya II (reigned 1432–46), Vijayanagara emperor.

Agreement against Dowry by Brahmanas of the kingdom of Padaividu

This inscription refers to the Brahmana Dharma (Sacred Law of Brahmans) and specific reference to the Brahmanas of the kingdom of Padaividu (town of Padavedu - previously known as Padaividu - now in the Polur Taluk, Thiruvannamalai district) including Karnataka, Tamil, Telugu and Lata (the old name of Gujarat) Brahmanas. An agreement, signed by the representatives of Brahmanas of the kingdom of Padaividu , vouch to conduct marriages in their families as mere 'Kanyadhana.' - the part of the marriage ceremony where the bride's father only gives away the bride to the bridegroom. Both fathers of bride and bridegrooms who accepted money and the who paid the money, should be subject to punishment by the king and to excommunication for their caste. The canonical works on sacred law discourages the practice of paying money as dowry. The marriage thus concluded is termed as 'Asura Vivaha' and the sacred law condemns such practices.

What is dowry? Dowry is a transaction between two parties involving cash, or other valuable articles such as precious metals, gems, clothing, appliances, real estate, or goods for entertainment, made as a condition for entering a marriage contract.

Although dowry was illegalized in 1961 (The Dowry Prohibition Act of 1961 in India), people from almost all castes are demanding dowry to different extents. Youngsters and parents view dowry as a 'way of accumulating economic capital.'

Newspapers and other media report daily about dowry harassment ranging from a lifetime of verbal abuse to extreme physical and sexual abuse. It is also closely interlinked to female infanticide, neglect of the girl child, denial of educational and career opportunities to daughters, domestic violence, rape, extortion, homicide and other kinds of discrimination against women.

In Tamil society dowry and prestige are the two closely related social issues. Those who are in their demanding side never wants to give up and those who are in the accepting side always yielding to the demand in spite of great deal of difficulties.

Present day consumerism wants to say no to dowry. Women’s rights organisations are turning the miseries of dowry victims.

Inscription inside the front gopura of the Virinchipuram Temple

(No.56 Inside the front gopura of the Virinchipuram temple, second inscription to the right: III - Inscriptions at and near Virinchipuram. Tamil and Grantha Inscriptions. South Indian Inscriptions)

Tamil Text

சுபமஸ்து. ஸ்வஸ்தி ஸ்ரீ . ஸ்ரீமன் மகா ராஜாதிராஜ பரமேசுவரரான ஸ்ரீ வீரபிர
தாப தேவராய மகாராஜர் ப்ரித்விராஜ்யம் பண்ணி அருளானின்ற சகாப்தம்
1347ழின் மேல் செல்லானின்ற விஸ்வாசு வருஷம் பங்குனி மாதம் 3க்கு
சஷ்டியும் புதன்கிழமையும்பெற்ற ஆநுசத்து நாள், படைவீட்டு இராஜ்யத்து
அஸேஷவித்யமஹாஜநங்களும் அகர்கபுஷ்கரணி கோபிநாத ஸன்னதியிலே
தர்ம ஸ்தாபந மையபத்ரம் பண்ணி குடுத்தபடி

இற்றைய நாள்முதலாக இந்த படைவீட்டு ராஜ் யத்து பிராமணரில்
கன்ன(டி)கர் தமிழர் தெலுங்கர் இலாளர் முதலான ஆஸேஷ கோத்திரத்து
அஸேஷசூத்தரத்தில் அஸேஷகையிலவர்களும் விவாஹம் பண்ணுமிடத்து,
கன்னியாதானமாக விவாஹம் பண்ணக் கடவராகவும் கன்னியாதானம்
பண்ணாமல் பொன் வாங்கி பெண் கொடுத்தால், பொன் கொடுத்து விவாஹம்
பண்ணினால், ராஜ தண்டத்துக்கும் உட்பட்டு பிராமண்யத்துக்கும்
புறம்பாகக் கடவரென்று பண்ணின தர்ம ஸ்தாபன மைய பத்ரம்; இப்படிக்கு
அஸேஷ வித்ய மகாஜனங்கள் எழுத்து

Translation

Let there be Prosperity! Hail! On the day of (the nakshatra) Anusham (Anuradha Star constellation) which corresponds to Wednesday, the sixth lunar day, the 3rd (solar day) of the month of Panguni (Tamil Calendar month) of the Visvavasu (Tamil Calendar year) year, which was current after the Saka (Shalivahana calendar) year 1347 (had passed), while the illustrious maharajadhiraja-parameswara, the illustrious Virapratpa-Devaraya-maharaja was pleased to rule the earth,-the great men of all branches of sacred studies of the kingdom (rajyam) of Padaividu drew up, in the presence of (the god) Gopinatha (of) Arkapushkkarini, a document (which contains) an agreement fixing the sacred law. According to (this document), if the Brahmanas of this kingdom (rajyam) of Padaividu, viz., Kannadigas, Tamilas, Telungas, Ilalas, etc.,of all gotras, sutras, and sakhas conclude a marriage, they shall, from this day forward, do it by kanyadana. Those who do no adopt kanyadana, i.e., both those who give away after having received gold, and those who conclude a marriage after having given gold, shall be liable to punishment by the king and shall be excluded from the community of Brahmanas. These are the contents of the document which was drawn up.

The following are the signatures of the great men of all branches of sacred studies:-

Virinchipuram Maragathambihai samedha Margabandheeswarar temple

Virinchipuram Maragathambihai samedha Margabandheeswarar temple is located near Vellore town in the Chennai-Bangalore Highway. The east facing temple is around 1300 years old and is very rich in extraordinary sculptures and artistic pillars. The legend is found in Arunachala Puranam, Siva Rahasiyam, Kanchi puranam and many other holy books . Aadhi Shankaracharyar did the Beejakshara Pradhishtai to the Simha theertham of the temple. The temple was venerated by Thirumoolar, Pattinathar, Thirugnana Sambhandhar, Appar, Arunagirinadhar, Appayya Dikshithar and few others. The holy tree is palm and the holy water tanks include Simha Theertham, Sooli Theertham and Brahma Theertham.

Reference

No.56 Inside the front gopura of the Virinchipuram temple, second inscription to the right: III - Inscriptions at and near Virinchipuram. Tamil and Grantha Inscriptions. South Indian Inscriptions

Somnath Temple Gujrat

Saurash tradeshe vishade.atiramye jyotirmayam chandra kalavatamsam | 
bhaktipradanaya kripa vatIrnam tam somanatham sharanam prapadye ||

“Jay Somanath! Jay Somanath”!

Somnath temple, the first in the twelve jyothirlingas, is located at the Viraval port - Prabhas Pattan in Saurashtra - Gujarat.

Troubled times and Hindu Resilience in rebuilding the great temple of Somnath

This grand temple of Somanath came under the attack of the Muslims several times. In the year 722, Junamad, the Sindh Subedar attacked it for the first time and looted innumerable items from its treasure.

The beautiful statue of Somanath, can be seen from the center because of the miraculous magnetic power. Ghajni Mohammed, destroyed this statue on Friday, the 11th of May 1025 AD. From then onwards, Ghajni Mohammed came to be known as the “Statute Destroyer” (Iconoclast). On that day, he plundered and looted a treasure worth 18 crores.

In 1297 AD, Allauddin Kkhiji sent his Sardar Altaf Khan to Somanath on a mission of destroying and putting down the Somanath Mandir. The Somanath Temple was subjected to series of attacks starting in 1479 AD by Mohammad Begada, Mujaffar Shah, II, in 1503 AD, and finally by Aurangazeb, known to be the most intolerant towards other religions, in 1701 AD, where in, the temple was totally destroyed, plundered and looted in a most horrible way. A large number of people were killed mercilessly and a lot of money stolen

Sri Adhi Ratneswarar temple


Sri Adhi Ratneswarar temple

Moolavar : Adhi Ratneswarar
Amman / Thayar : Snehavalli
Thala Virutcham : Vilwa
Theertham : Surya Pushkarini
Old year : 1000-2000 years old

The temple is praised by Saint Tirugnanasambandar in his Thevaram hymns. This is the 9th temple in Pandya region praised in Thevaram hymns.

This is one of the Shiva temples offering pujas to Sun God. Sun worshipped Lord Shiva placing Him on a stage - Avudayar – made of sapphire gems, hence the name of the Lord, Adhi Ratneswarar. When abishek is performed during midday, Lord appears blue.

This is one of the 14 Shiva temples praised in Thevaram hymns. Sages Agasthya, Markandeya and divine cow Kamadenu had worshipped Lord of this temple. Lord Muruga in the temple is praised in the Tirupugazh hymns of saint Arunagirinathar.

Devotees pray to Lord Adhi Ratneswarar for relief from the evil effects of past deeds. Special Sukhra (Venus planet) Homas are performed on Mother for child boon. Those under planet Shukra’s main or sub-periods are advised to pray to Mother in this temple.

Those consulting Nadi astrology in Tiruvannamalai and Vaitheeswaran Koil come to this temple to perform the remedial pujas.

Three yard sticks are used to decide the reputation of great temples, viz. Murthy, Sthala and Theertha. Temples are famous for one or two of these aspects and some have all the three attributes. Thiruvadanai Adhi Ratneswarar temple has all the three attributes. Lord Shiva is a swayambu. He is also praised as Aadanai Nathar and Aja Gajeswarar. The sacred springs are Surya Pushkarini, Varuna, Vaaruni, Markandeya, Aghasthya and Kamadenu theerthams. During their exile, Pandavas brother Arjuna got the pasupatha missile from Lord Shiva. He was asked by the Lord to come to Thiruvadanai to know how to use the weapon. As a mark of his bhakti, Arjuna installed the Somaskanda in the temple, according to a story.

Sun was very proud of his radiating power. When the brightness on Lord rose up, Nandhi the bull vehicle of the Lord drew it, the Sun losing his brightness. Sun begged Nandhi to show him the solution. Nandi advised Sun to worship Lord of Thiruvadanai installing Him on a seat made of sapphire gems for remedy. Sun being the Adhi-first among the nine planets worshipped Lord Shiva Adhi Ratneswarar as suggested. When abishek is performed on the Lord, He turns blue.

Mother Snehavalli is the deity for planet Shukra-Venus. The temple is famous for Shukra worship.

Vaaruni is the son of Varuna the God of rain. One day he stayed in the Ashram of Sage Durvasa who was in deep meditation. Vaaruni’s friends played there using the fruits and flowers in the ashram and disturbed the penance of the sage. The angry sage cursed Vaaruni for his deed to become a strange creature with the head of a goat (Aja) and body of an elephant (Gaja). In Tamil the name will be Aadu (goat) and Aanai (elephant), hence the name of the place Thiru Aadu Aanai – Thiruvadanai. Vaaruni realized his folly. Sages nearby suggested that he should go to this temple in the Pandya kingdom, pray to Lord Shiva for his remedy. Vaaruni followed the advice. Lord appeared before him and enquired of his wish. Vaaruni in his Aja Gaja (Aadu-Yanai) form begged the Lord that his life should be a lesson to those behaving badly towards respectful elders and that this place should be known as Thiruvadanai till the end of Kaliyuga. Lord granting his wish, the place came to be known with the suffix Thiru Aadu Aanai – Thiruvadanai.

Nisumba soodhini Temple, Thanjavur:

Nisumba soodhini Temple, Thanjavur: War Deity of Imperial Chola



Many travelers may come to Thanjavur (தஞ்சாவூர்) solely to visit the Big Temple (பெருவுடையார் கோயில்) (‘ராஜராஜுச்சுரம்’) (Rajarajeswaram temple), an outstanding example of Chola (சோழர்) architecture and one of the UNESCO World Heritage Monuments. Over a total of 30,000 foreign tourists and 4.10 lakh domestic tourists passing through Thanjavur, making it the fastest growing tourist spot in Tamil Nadu, India. Thanjavur, an important pilgrim centre and a major tourist destination of Tamil Nadu, also includes many other interesting heritage temples.

Cult of Kali in Thanjavur

Thanjavur is also popular for the cult of 'Kali' (காளி) (the mother goddess - specific Sakthi cult). In Thanjavur there are eight Kali temples as guardian deities with different names:

1. Nandhi Makali; 2. Selliamman; 3. Ugra Kali (Nisumba soodhanai); 4. Kodiamman (Karanthai); 5. Vanchiamman; 6. Samavarthiniyamman; 7. Vada Bhadra Kali (Nisumba soodhani); and Kunthalamman. Kali is an incarnation of Parvati 'Kali' means black or kala (Hindi). Kali is a warrior goddess, who protects humanity and the gods from horrible demons, but she is also a deity of feminine energy, creativity, fertility, guardian, protector, ruler of eternal time, goddess of death and doomsday.

Hindu iconography depicts Kali all the more gruesome and she appears in absolute rage, with lolling tongue and protruding fangs as well as with her ornaments of necklace of snakes, skulls and heads of her sons and a belt from, which hangs demon's hands. The deity often appear with the number of arms being four (Kali, Ruthra Kali), eight (Chamundi), ten (Bhadra Kali), twelve, fourteen (Mahakali), eighteen (Bhadra Kali) or even one hundred (Bhadra Kali) and each of hand holding weapon or other objects including a sword, dagger, trident dripping with blood, cup, drum, chakra, lotus bud, whip, noose, bell, and shield. She is the destroyer of demons such as Mahisasura, Chanda, Munda, Shumbha, Nishumbha as well as Madhu and Kaitabha.

History

It is also interesting to witness the cult of Nisumba soodhini (நிசும்பசூதினி), a form of Kali in mythology and the war deity of Imperial Cholas associated with war, combat or bloodshed. The cult of Korravai was present during Sangam period and the Tamil kings of Sangam period worshiped Korravai (கொற்றவை), a local presiding deity of war and victory in the Tamil region. Perumpidugu Mutharaiyar II (c. 705 - 745 A.D.) (பெரும்பிடுகு முத்தரையன் சுவரன் மாறன் II) ruled over Cauvery Delta Region - Mutharaiyar Nadu (முத்தரையர் நாடு) before the Cholas. The cult of Pidari (பிடாரி) (a form of Kali and the protecting deity as well as war deity) probably evolved in the sixth and seventh centuries AD and is generally restricted to southern India. The feudatory king was a formidable Warrior and was engaged in 12 battles with Pandya and Chera and was victorious in all the battles i.e., Kodumbaalur, Manalur, Thingalur, Kaandhalur, Azhindhiur, Kaarai, Maangur, Annavoil, Semponmari, Thanjaisembulanattu Venkodal, Pugazhi and Kannanur. He built the temple devoted to Pidari at Niamam (நியமம் பிடாரி அம்மன் கோயில்). The four pillars erected by the king bears the inscriptions (27 stanzas) reciting the wars, victories and other accomplishments. Inscriptions found at mandapam of Sundareswarar temple, Senthalai states:

செந்தலை சுந்தரேஸ்வரர் கோயில் முன் மண்டபத்தில் காணப்பெறும் .செந்தலை கல்வெட்டுகளில் "சுவரன் மாறன்னானவன் எடுபித்த பிடாரிகோயில் அவநெரிந்த ஊர்களும் அவன் பேர்களும் அவனை பாடினர் பேர்களும் இத்தூண்கள் மேலுழுதின இவை "என அக்கல்வெட்டு கூற்கின்றது.

Goddess Pidari was also worshiped by Pandya king Maranchadaiyan Paranthaka Veeranarayanan alias Nedum Chadayan (பாண்டியன் மாறன் சடையன் பராந்தக வீரநாராயணன் என்ற நெடுஞ்சடையன் ( 866 - 911 A.D.), Nandivarman II (Pallavamalla) (இரண்டாம் நந்திவர்மன் (பல்லவமல்லன்) (720–796 CE) and Aditya Chola I (பரகேசரி முதலாம் ஆதித்த சோழன் (கி.பி 871 - 907 A.D.).

In the same tradition Vijayalaya Chola (848-891 A.D.) aka. Parakesarivarman (விசயாலய சோழன் என்ற பரகேசரிவர்மன்) built the temple for goddess Nisumba soodhani to commemorate his victory. The Chola king was once a feudatory of the Pallavas. This Thirupurampiyam (திருப்புறம்பயம் போர்) (Near Kumbakonam) war hero captured Thanjavur in 848 A.D. from Elango Mutharayar (final ruler of Mutharaiyar dynasty) and established as a semi autonomous state. He became the real founder of the Chola dynasty of Thanjavur and his dynasty rose to its prominence during the middle of the 9th century A.D. The Imperial Cholas believed that goddess Nisumba soodhini as the personification of valour and would bless them with victory in the battle. This faith made them to pray for goddess 'Nisumba soodhini' before leaving for the battle field. This information was recorded in Thiruvalangadu copper-plate inscriptions:

“தஞ்சாபுரீம் சௌத சுதாங்காராகாம
ஐக்ராஹ ரந்தும் ரவி வம்ச தீப:
தத:பிரதிஷ்டாப்ய நிசும்ப சூதனீம்
சுராசுரை:அர்ச்சித பாத பங்கஜாம்
சது : சமுத்ராம்பர மேகலாம் புவம்
ரஹாஜ தேவோ தத்பராசதந”

Meaning: The idol of Nisumba soodhani, who conquered and annihilated the demons Shumba and Nishumba, was consecrated in Thanjavur. With the grace of the worshipful feet of Nisumba soodhani, the king ruled the earth surrounded by ocean with the ease, as if wearing like a garland.

The original temple built by Vijayalaya Chola is not existing at present. Now there are two temples devoted goddess Nisumba Soodhani located in the heritage town Thanjavur.

Present Temples

Vada Bhadra Kali Amman Temple (வடபத்ரகாளி அம்மன் கோவில்), Poomal Rauther Koil street in Keezha Vaasal.

The 1160 years old deity (!) comes under Hindu Religious and Charitable Endowments (HR&CE) administration and well maintained by Thanjavur Palace Devasthanam.

The temple was built by Vijayalaya Chola (848-891) aka. Parakesarivarman, once a feudatory of the Pallavas. The temple has the sanctum sanctorum, ardhamandapa and the mahamandapa (temporary tin sheet shed). The deity of goddess Nisumba soodhini

The temple is 2 km away from Old Bus stand of Thanjavur and there are number city buses and auto rickshaws available from here.

Temple Timings: 07.00 am - 11.00 pm and 05.00 pm - 08.00 pm. Temple popularly known among the local people as "Ragukaala Kali Temple".

Ugra Kali Amman Temple (உக்ரகாளி அம்மன் கோவில்), Kuyavar street in Keezha Vaasal.

The 1160 years old deity (!) comes under Hindu Religious and Charitable Endowments (HR&CE) administration and well maintained by Thanjavur Palace Devasthanam.

The temple was built by Vijayalaya Chola (848-891) aka. Parakesarivarman, once a feudatory of the Pallavas. The temple has two sanctum sanctorums, ardhamandapa and the common spacious mahamandapa. In the main sanctum the 19th century idol of goddess Nisumba soodhini appears seated. The priest told that this deity belongs to Maratta period. All poojas are performed to this deity in the main sanctum. The other sanctum sanctorum on the left side of the main sanctum lies another sanctum housing the 9th century CE idol of Nisumba soodhini.

The iconography of seated Nisumba soodhani depicts annihilation of the Nisumba with her right and left legs engaged pressing against demon. One of her right hand holds the Trident (Trishul) and pointing towards Nisumba. The goddess also appears seated on the bodies of four demons (Chanda , Munda, Raktha Bheeja, and Shumba) with head slightly tilted.

The temple is 2 km away from Old Bus stand of Thanjavur and there are number city buses and auto rickshaws available from here.

Temple Timings: 06.00 am - 12.00 pm and 05.00 pm - 08.00 pm. Temple popularly known among the local people as "Ukkira Kali Temple".

Legend

According to Devi Mahathmyam (Chandi), Raktha Bheeja, the commander of Shumbha and Nishumba opposed to goddess Parvathi. Goddess Parvathi created 'Kaushiki.' Kaushiki was spotted by Chanda and Munda, Shumbha Nishumba's two assistants and reported about Kaushiki. Shumba and Nishumba sent proposals of marrying Kaushiki through a messenger. Kaushiki invited both for a fight and the winner could marry her. There was fierce fighting between the demons Chanda and Munda and the goddess Kaushiki and killed them. Hence the name (Chamundi (Chanda+Munda). On seeing the death of Chanda and Munda the demons attacked the goddesses Kaushiki. At that moment, from the bodies of the various devas, women forces began emerging and took the form of Kali. Among the asuras there was one commander known as Raktha Bheeja. Every drop of blood oozing from the body of Raktha Bheeja turns another demonic form of Raktha Bheeja. Kali was instructed to drink all the blood that oozes from the body of Raktha Bjeeja. On hearing death of Raktha Beeja, Nishumba assaulted Kaushiki and the goddess retaliated with a weapon known as 'Khura' and made him unconscious. Shumba came to the rescue of Nishumba and fell unconscious. At the end of the fight both Shumba and Nishumba were annihilated and the goddess Kaushiki became victorious.

Comilla Jagannath Temple in Bangladesh built by King of Tripura

Comilla Jagannath Temple 

In the Comilla district of Bangladesh is an ancient temple of Lord Jagannath. Following its long and interesting history, the story of this temple is of particular interest because it is now under the seva administration of the local ISKCON devotees.

Comilla Jagannath Temple, also known as Saptaratna ('seven jewels') Mandir, is dedicated to the worship of Lord Jagannath. The temple was built in the 16th Century by Sree Sreejoktou Moharaja Rada Kishor Manikuo Bahadur, the King of Tripura. This is one of the oldest temples in Comilla, which is located in eastern Bangladesh along the Dhaka-Chittagong Highway. Comilla is one of the three oldest cities in Bangladesh. The temple complex resides on the southeast sides of Comilla City (also known as Kandirpar) at Jagannathpur village, five kilometers east of the city on the Comilla-Bibir Bazar Road.

Comilla Jagannatha Temple is believed to have been built during the century, if not during the lila period of Sri Krsna Chaitanya, under the patronage of King Ratna Manikyo Bahadur. The exact time of construction is not known, but the temple is generally dated by its terracotta architecture. At the time of King Badhadur's reign, Comilla was known as Tippera (or Tripura).

The princely State of Tripura, including all of the Comilla region, was ruled by the Deva dynasty in the 8th Century, then came under the reign of the kings of the Harikela in the 9th Century. It came under the rule of East India Company in 1765.

Tripura, an ancient seat of Vaisnavism, was bordered by Bangladesh to the north, south, and west, with Assam and Mizoram to its east. Tripura is mentioned in many Vedic texts, including the Mahabharata and Puranas. It's also mentioned in the Edicts of Ashoka, stone pillar inscriptions from the 3rd Century B.C. In ancient times, Tripura was known as Kirat Desh ("The land of Kirat").

There seems to be little information available about the Deities of this temple, except that Lord Jagannath, Balabhadra and Subhadra were originally installed in another temple located in 'hilly Tripura'. Once the new temple construction was completed, Their Lordships were moved and installed at Their new Comilla abode.

The architecture of Lord Jagannatha's Temple at Comilla is striking and beautiful, as seen in the circa 1843 sketch above, and current photographs. The temple is approx. 60 feet tall, being a four-storied conical shape built of brick on an octagonal base-stone. This is said to be the only octagonal shaped temple of its time in Bangladesh.

The temple is ornamented with various terracotta designs like flowers, leaves, etc. The Department of Archaeology renovated portions of the outer ground and first floors, and apparently some of the terracotta did not survive the process.

On the west side of the temple premises there is a tank, said to be as old as the temple itself. A tank is also depicted in the sketch above.

Lord Jagannatha's Rathayatra has been celebrated in Bangladesh for several centuries. Car festivals are held in Comilla, Chittagong, Dhaka, Damraj, Khulna, Barisal, Gopalganj, Sylhet, Mymensingh and Rangpur. (see Bangla Rathayatra). At Comilla, there are three Chariots for Their Lordships' annual outing, which has traditionally gone out around the last week of June or first week of July each year.

Comilla Jagannath Temple is now listed as a Heritage Site by the Bangladesh Department of Archaeology. A new temple structure and ashram has been built beside the ancient one for temple activities.