Wednesday, April 1, 2015

Danushkodi- India's Ghost Town

'The ruins of the town's church.

http://travelmusings.hubpages.com/hub/Dhanushkodi-The-Mythical-Ghost-Town'
India's Ghost Town: Danushkodi.
The Hindu scripture Ramayana says that Lord Rama built a bridge or causeway, called Ram Setu or 'Rama's bridge', between the mainland and Sri Lanka, in order to bring his army across. After Rama won the war and crowned a new king of Lanka, Vibhishana, requested Rama to destroy the bridge. Rama broke the bridge with one end of his bow. Hence, the name Dhanushkodi or 'end of the bow' (dhanush meaning 'bow' and kodi meaning 'end'). It is also said that Rama originally marked the spot for the bridge with one end of his famous bow that he strung to marry Princess Sita. The series of rocks and islets currently found in a line between India and Sri Lanka suggests there was indeed a former land connection between India and Sri Lanka.] The Kodhanda Ram Kovil temple marks the place where Rama is said to have begun his journey to Lanka.
Hindu pilgrims usually bathe in the ocean here before completing the pilgrimage to Rameswaram. The spot is considered a sacred confluence of the Bay of Bengal and the Indian Ocean. In addition, it is said that pilgrimage to the holy city of Kashi in North India is not complete without also worshipping at Rameswaram, including the ritual bath at Dhanushkodi.

'The sea from Land's End, Dhanushkodi. Sri Lanka is about 15 kilometers from here.

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The Free Encyclopedia.'
'The Ruins Of A Building Believed To Be The Dhanushkodi Post Office. 

http://travelmusings.hubpages.com/hub/Dhanushkodi-The-Mythical-Ghost-Town''Remnants of the Dhanushkodi Railway Station.

Wikipedia
The Free Encyclopedia' The incident of Sita swayamwara wherein Rama strung the bow of Shiva (obtained by Raja Janak) and annoyed Parashuram is an interesting one to note. The incident begins with Prince Rama of Ayodhya being brought to the city of Mithila (Present day Janakpur, Nepal) by Maharishi Guru Vishwamitra, for participating in Sita Janaki's swayamvara. The test of swayamvara to win princess Sita, was to sting the bow of Shiva. After many kings failed to even lift the bow (due to the shakti possessed by it), Rama accompanied with the Mahabala accorded to him by Maharishi Vishwamitra, strung the bow of Shiva. Ravana's who was also part of the failed kings rose up to question Rama's valour. To prove his strength and avert a war in the Swayamvara Mandapa, Rama pulled the string and broke the bow into three pieces. This not only proved Rama's superiority among the audience, but also deterred all kings from using any force against this unconquerable warrior (read Rama) who broke the bow which none of them could even lift. The bow of Shiva (which is considered to be a living object due to the Brahmic energy possessed in it) flew in three different directions. The one that fell on Bhuloka is presently housed in a small temple at Dhanushadham in Nepal. It continues to grow till this very day. The one that entered Pathala, is submerged in Dhanushsagar, Janakpur Nepal. Eyewitnesses at Janakpur aged above 35 years testify having seen part of the bow in Dhanush Sagar before 1990. It presently lies submerged in Dhanushsagar due to water pollution. The one that flew to Akasha, fell in Dhanushkodi. The Swayamvara ended with the wedding of Princess Sita Janaki to Prince Rama and the epic Ramayana took a new turn, which can be read elsewhere. It is said that the wrath of the broken bow pulled Rama to its farthest location (Dhanushkodi), to the save the very princess whom he had won by breaking the divine object.
Dhanushkodi has the only land border between India and Sri Lanka which is one of the smallest in the world-just 45 meters in length on a shoal in Palk Strait. Before the 1964 cyclone, Dhanushkodi was a flourishing tourist and pilgrimage town. Since Ceylon (now Sri Lanka) is just 19 miles (31 km) away, there were many ferry services between Dhanushkodi and Talaimannar of Ceylon, transporting travellers and goods across the sea. There were hotels, textile shops and dharmashalas catering to these pilgrims and travellers. The railway line to Dhanushkodi—which did not touch Rameswaram then and was destroyed in the 1964 cyclone—went directly from Mandapam to Dhanushkodi. Dhanushkodi in those days had a railway station, a small railway hospital, primary schools, a post office, customs and port offices, and other buildings. It was here in this island in January 1897 that Swami Vivekananda again set foot on Indian soil, after his visit to the west to attend the World's Parliament of Religions held in the United States.
After the devastating effects, and destruction of Danushkodi, the Indian government declared this once thriving city a ghost town.
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Images: http://travelmusings.hubpages.com/…/Dhanushkodi-The-Mythica…

Unakoti Stone carvings of Tripura,India

Ancient India vis-à-vis Modern Science.'s photo.Beautiful stone carvings in Unakoti in Tripura
Unnakoti is a unique place, which can not be compared to any other place in the country in terms of absolute grandeur and artistry. Located about 178 km from Agartala, capital of Tripura, this site consists of several huge vertical rock-cut carvings on a hill side. Huge sculptures were chiseled out from the rock-sides and the images were carved. The site is situated between the lush green forests and mountains. The beauty of the carvings and the ethnicity of the sculptures have been enhanced by the greenery surrounding it and protecting it throughout the ages. Unakoti has the largest rock-cut images and stone idols of Lord Shiva in India.
Ancient India vis-à-vis Modern Science.'s photo. Who created such marvelous rock carvings and the stone images of gods and Goddesses in such a deep forest hundred years ago is indeed a mystery. Why this secluded hilly place was selected for the purpose is not known. Archaeologists are still working on this place to find more about its history. According to some archaeologists these idols were sculpted by master sculptors elsewhere and were brought in Unakoti with great care. It is assumed that the site dates back to the period between the 7th – 9th Centuries A.D, and that the sculptures belong to two different periods of art.
Ancient India vis-à-vis Modern Science.'s photo.Ancient India vis-à-vis Modern Science.'s photo. The word ‘Unakoti‘ means “one less than a Crore”. Folklore has a fascinating tale to portray on Unakoti. It says that once upon a time about one crore God and Goddess were going on a journey to Kaashi in Varanasi. On their way during twilight, they all rested on this spot. Lord Shiva, however, cautioned them that all must leave the place before the crack of the dawn, otherwise, all would transform into a stone. At dawn, Lord Shiva woke up in time and left the place while all other gods and goddesses turned in stone images as they were fast asleep. Since then this place was named as Unnokoti.A huge Lord Ganesha figure is carved in the Unakoti complex, while there is also a chaturmukha Shivlinga nearby. In addition three enormous images of Nandi Bull are found half buried in the ground. Among other rock-cut and stone images are those of Vishnu, Narasimha, Ravana, Hanuman, and several unidentified deities. The place also shows strong evidence of Buddhist occupation.

In 16th century A.D, Kalapahad – a Muslim general of Mughal governor of Bengal – caused huge destruction to the site. He destroyed Bhubaneswar Shiva and Tungeswar Shiva stationed nearby. Later gradual change in nature too had adverse impact on spectacular art work of human race.
Every year a big fair popularly known as ‘Ashokastami Mela’ is held in the month of April which is visited by thousands of devotees.
The stone carvings in Unakoti are one of the most detailed ones in India and yet, this place is rarely visited. According to an assessment made by Archaeological Survey of India (ASI), some statues were still undiscovered in the jungles which needed to be preserved, while many were taken away by local people for worship at home. This place is worth to be tagged as a world heritage site.
www.mysteryofindia.com

Mount Kailash

'Tibetan and Nepalese Thangka depicting Mount Kailash.

Wikipedia
The Free Encyclopedia''Image:  Mystery of India.com'Mount Kailash (also Mount Kailas; Tibetan: གངས་རིན་པོ་ཆེ Kangrinboqê or Gang Rinpoche; simplified Chinese: 冈仁波齐峰, Gāngrénbōqí fēng, Sanskrit: कैलाश Kailāśa) is a peak in the Kailash Range (Gangdisê Mountains), which forms part of the Transhimalaya in Tibet, China. It lies near the source of some of the longest rivers in Asia: the Indus River, the Sutlej River (a major tributary of the Indus River), the Brahmaputra River, and the Karnali River (a tributary of the River Ganga). It is considered a sacred place in four religions: Bön, Buddhism, Hinduism and Jainism. The mountain lies near Lake Manasarovar and Lake Rakshastal in Tibet.
According to Hinduism, Lord Shiva, the destroyer of ignorance and illusion, resides at the summit of a legendary mountain named Kailāśa, where he sits in a state of perpetual meditation along with his wife Pārvatī. He is at once the Lord of Yoga and therefore the ultimate renunciate ascetic, yet he is also the divine master of Tantra.
'Stupas, with north face of mount Kailash, in the background.

Wikipedia
The Free Encyclopedia.' According to Charles Allen, one description in the Vishnu Purana of the mountain states that its four faces are made of crystal, ruby, gold, and lapis lazuli.[8] It is a pillar of the world and is located at the heart of six mountain ranges symbolizing a lotus.[
Kailash is a sacred Tibetan mountain shrouded in mystery and legends. With an impressive height of 6718 meters, Mount Kailash represents the axis of the world or the stairway to heaven for the people in the region. Both Buddhists and Hindus, as well as older religions, recognize Mount Kailash as an ancient holy place. Its shape is like the pyramids in Egypt with four nearly symmetrical sides. Its glistening snow-covered top makes it the most eye-catching one. Approach Kailash not only prohibited, but dangerous. In the immediate vicinity of mountains time flows much faster, and people have gone to the mountain, often not returned.

Its shape is remarkable and has led to speculations over the centuries. The area around this great mountain is the source of four life-giving rivers; the Indus, Brahmaputra, Sutlej and the Karnali River (a tributary of the Sacred River Ganga). Two lakes are situated at the base of the mountain. The higher lake Manasarovar (one of the highest freshwater lakes in the world), is the sacred lake, and is round like the sun. The lower lake Rakhast Tal (one of the highest salt-water lakes) is the devil’s lake and has the shape of the crescent moon. The two lakes represent solar and lunar forces, good and negative energies respectively.
Vedas mentioned Mount Kailash as cosmic axis and world pillar, center of the world, and world tree. It has other names… Meru, Sumeru, Sushumna, Hemadri, Deva Parvata, Gana Parvata, Rajatadri, and Ratnasanu. Kang Tisé or Kang Rinpoche (the ‘Precious Jewel of Snow’ in Tibetan), Meru (or Sumeru), Swastika Mountain, Mt. Astapada, Mt. Kangrinboge (the Chinese name) – all these names, real or legendary, belong to one of the holiest and most mysterious mountains in the world – Mount Kailash. In religion or mythology, the world center or the connection is between Heaven and Earth. As the celestial pole and geographic pole, it expresses a point of connection between sky and earth where the four compass directions meet.
According to Hinduism, Lord Shiva, the destroyer of ignorance and illusion, resides at the summit of mountain Kailash, where he sits in a state of perpetual meditation along with his wife Pārvatī. Hindu mythology recognizes it as the only abode of the gods that can be visited by man in his mortal body.
In 1999 some Russian scientists explored this mountain. the scientists beiieve this could be a man made pyramid.

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Mystery of India.com

Tuesday, March 31, 2015

The Lotus in Indian Art

'Wooden Lantern ceiling relived with lotus flowers and an immense lotus rosette in the centre, from the Mandapa ceiling of Chamunda Devi temple, Chamba (Himachal Pradesh), 17th century CE.

Wooden Lantern ceiling relived with lotus flowers and an immense lotus rosette in the centre, from the Mandapa ceiling of Chamunda Devi temple, Chamba (Himachal Pradesh), 17th century CE.

mysteryofindia.com'The Lotus in Indian Art
In the vast repertoire of Indian ornamental motifs, among the symbols and devices that recur in traditional art and architecture, the lotus occupies pride of place. Unlike western art, in which great emphasis is laid on photographic realism and the naturalistic treatment of human and animal forms, the main concerns in Indian art are profoundly spiritual and religious. Each and every object portrayed in Indian art has a religio-spiritual and symbolic significance.
'Exquisite carving of a lotus flower.

mysteryofindia.com' Among the flowers, the lotus is the most preferred symbol, not because of its beautiful form, but because of its profound symbolism. We all know that this flower grows in muddy waters, but remains unaffected by it. Whether white, blue (nilotpala), rose pink or white and pink, its petals evoke the sentiments of purity in everybody’s mind. According to Hindu philosophy, human beings ought to live like a lotus flower in this wily, unscrupulous world, completely detached and pure hearted, untouched by evil forces.
Rising from the depths of water and expanding its petals and leaves on the surface, through its appearance, it gives proof of the life-supporting power of the all nourishing abyss. This is the reason why a lotus flower
  in full bloom is used as the pedestal or throne support of all the deities — Hindu, Buddhist and Jain.
'Vishnu and Lakshmi Standing on a Lotus Protected by Sheshnag

mysteryofindia.com' Invariably, they are shown seated or standing on a fully open lotus flower (padmu pitha) or on a double petalled
  lotus (mahambuja). This has symbolic connotations: the deities are represented in their transcendental, subtle forms, i.e. the spiritual body which is weightless. If seated with one leg dangling down, then also the deity’s foot rests upon the lotus pedestal or cushion.
Numerous Hindu deities are shown holding a lotus flower, for example, Vishnu who preserves the universe, is invariably holding the padmu (lotus) in one of his four hands. Vishnu’s spouse Lakshmi, the goddess of wealth, Shiva’s consort Parvati, Surya the Sun god, the Bodhisattva Padmapani — all these deities hold a lotus flower in their hands. In fact, even the personified sacred river goddesses Ganga and Yamuna always hold a long stemmed lotus, characterized by a long stalk, the undulations of which match the contours of their elegantly standing ‘S’-shaped bodies.
In Indian paintings, whether miniature ones or frescoes, the flowing waters of the river or a pond are always indicated by lotus flower and their broad leaves floating on their surfaces. This tradition has persisted from ancient times. In the world renowned Ajanta caves frescoes, the lotus pond is an alluring part of the landscape, and continued to be so in subsequent centuries till the dawn of 20th century.
Ancient India vis-à-vis Modern Science.'s photo. In Indian paintings, whether miniature ones or frescoes, the flowing waters of the river or a pond are always indicated by lotus flower and their broad leaves floating on their surfaces. This tradition has persisted from ancient times. In the world renowned Ajanta caves frescoes, the lotus pond is an alluring part of the landscape, and continued to be so in subsequent centuries till the dawn of 20th century.
www.mysteriesofindia.com

Meenakshi Amman ,Meenakshi Sundareswarar Temple, Tiru-aalavaai and Meenakshi Amman Kovil,Madurai, Tamil Nadu, India.

'An aerial view of Madurai city from atop the Meenakshi Amman Temple.

Wikipedia
The Free Encyclopedia'
An amazing temple in India.
Meenakshi Amman Temple (also called: Meenakshi Sundareswarar Temple, Tiru-aalavaai and Meenakshi Amman Kovil) is a historic Hindu temple located on the southern bank of the Vaigai River] in the temple city of Madurai, Tamil Nadu, India. It is dedicated to Parvati, known as Meenakshi, and her consort, Shiva, here named Sundareswarar. The temple forms the heart and lifeline of the 2,500 year old city of Madurai and is a significant symbol for the Tamil people, mentioned since antiquity in Tamil literature though the present structure was built between 1623 and 1655 CE. It houses 14 gopurams (gateway towers), ranging from 45–50m in height. The tallest is the southern tower, 51.9 metres (170 ft) high, and two golden sculptured vimanas, the shrines over the garbhagrihas (sanctums) of the main deities. The temple attracts 15,000 visitors a day, around 25,000 on Fridays, and receives an annual revenue of sixty millionINR. There are an estimated 33,000 sculptures in the temple.
'Close up of gopurum figures.

Wikipedia 
The Free Encyclopedia''The golden shrine over the sanctum of Meenakshi.

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The Free Encyclopedia'
'Inside the shrine of Meenakshi

Wikipedia
The Free Encylopedia.' Meenakshi (IAST Mīnākṣī Tamil மீனாட்சி) is an avatar of the Hindu goddess Parvati - the consort of Shiva, one of the few Hindu female deities to have a major temple devoted to her. The name "Mīnachchi" means fish-eyed and is derived from the words "mīna" meaning fish and "akṣi" meaning eyes. The lady goddess Meenakshi is the principal deity of the temple, not Sundareswarar, unlike most Shiva temples in South India where Shiva is the principal deity. According to Hindu legend, in order to answer the prayers of the second Pandya king Malayadwaja Pandya and his wife Kanchanamalai, Parvati appeared out of the holy fire of the Putra Kameshti Yagna (sacrifice for childhood) performed by the king. According to another legend, the goddess herself gave notice to Kanchanamalai in one of her previous births that Kanchanamalai would have the privilege of mothering the goddess. The happy king named the girl "Tadaatagai" and as the heir to the throne, Tadaatagai was trained carefully in all the 64 sastras, the fields of science.
The Meenakshi temple is believed to have been founded by Indra (king of Deva celestial deities) while he was on a pilgrimage to atone for his misdeeds. He felt his burden lifting as he neared the swayambu lingam (self formed lingam, a representation of Shiva used for worship in temples) of Madurai. He ascribed this miracle to the lingam and constructed the temple to enshrine it. Indra worshipped Shiva, who caused golden lotuses to appear in the nearby pool. Tamil literature speaks of the temple over the last two millennia. Thirugnanasambandar, the famous Hindu saint of Saiva philosophy, mentioned this temple as early as the 7th century, and described the deity as Aalavai Iraivan. The temple is believed to have been sacked by the infamous Muslim invader Malik Kafur in 1310 and all the ancient elements were destroyed.
The initiative to rebuild the structure was taken by first Nayak king of Madurai, Viswanatha Nayak (1559–1600) under the supervision of Ariyanatha Mudaliar, the prime minister of the Nayak Dynasty and the founder of the Poligar System. The original design by Vishwanatha Nayak in 1560 was substantially expanded to the current structure during the reign of Thirumalai Nayak (1623–55). He took considerable interest in erecting many complexes inside the temple. His major contributions are the Vasantha Mandapam for celebrating vasanthorsavam (spring festival) and Kilikoondu Mandapam (corridor of parrots). The corridors of the temple tank and Meenatchi Nayakar Mandapam were built by Rani Mangammal.
Wikipedia

Kumari Kandam in Puranas

'Archeological findings at Poompuhar

http://www.mysteryofindia.com/2014/07/kumari-kandam-lost-continent.html'References of Kumari Kandam in Puranas and Ancient Tamil Literature.
Last Post, for more information, please see Google, or your favorite library. Thanks to our fans that like these interesting articles, and our Page.
'A Tamil-Brahmi inscription that pushes back the association of Samanamalai (“Jaina Hill”), 15 km from Madurai, with Jainism to 2,200 years, has been discovered on the hill.

http//www.facebook.com/' In Tamil literary works Aintiram, Silappadhikaram, Manimekhalai and SaivamPaayanam and in Sanskrit literary work Bhagavatha Purana, there are information about Tamil sage Mayan, who wrote one of the Tamil Sangam literary works Aintiram, and was part of Tamil Sangams and lived in Kumari Kandam.
This sage also wrote other Tamil literature Pranava Vedham (which is called by Vyasa as the predecessor of four Vedas in Bhagavatha Purana), MayaMatham (Book about Architecture, Sculptures and Vasthu) and SuriyaNool (Book about Astronomy and Astrology), one Tamil grammatical work, etc. According to Aintiram, Kumari Kandam was a land which has huge area and the PalThuli river (PalThuli – Divided grammatical form of Pahruli according to Tamil grammar which means many drops), one of the Kumari Kandam rivers, originated from PeruMalai(means big mountain – represents MeruMalai – Meru Mountain). It also tells that there were 49 lands in Kumari Kandam.
'மலி திரை ஊர்ந்து தன் மண் கடல் வௌவலின் மெலிவு இன்றி மேல் சென்று, மேவார் நாடு இடம்படப், புலியொடு வில் நீக்கிப், புகழ் பொறித்த கிளர் கெண்டை, வலியினான் வணக்கிய, வாடாச் சீர் தென்னவன் தொல் இசை நட்ட குடியொடு தோன்றிய நல் இனத்து ஆயர், ஒருங்கு தொக்கு, எல்லாரும்- வான் உற ஓங்கிய வயங்கு ஒளிர் பனைக் கொடிப் பால் நிற வண்ணன் போல் பழி தீர்ந்த வெள்ளையும், பொரு...
 

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http//kumari-kandam.blogspot.com/''Bhagavata-Purana, 10th Skanda.

http://www.mysteryofindia.com/2014/07/kumari-kandam-lost-continent.html'
  Tamil literary work SaivamPaayanam gives information about Kumari Kandam and its territories. It also mentions the existence of PeruMalai (MeruMalai – Meru Mountain) in Kumari Kandam.
•The Tamil literary work Manimekhalai, mentions about multiple Tsunamis in the ancient city of Poompuhar and was swallowed up by the sea. This event is supported by archeological finds of submerged ruins off the coast of modern Poompuhar.
•The Tamil poetic literature Tamil vidu thoothu describes the Topography of Kumari Kandam. It is also said that the Pahruli river was excavated to irrigate the mountain valley by the Pandiyan King Nediyon.
  The third Sangam literary work Purananooru talks about Kumari Kandam and the river Pahruli which was there in Kumari Kandam.
•The Tamil Grammar work Nannool talks about the sunken country Kumari Kandam.
•The Tamil literature SiruKakkaip Paadiniyaar talks about the Kumari Kandam.
•There are references for Kumari Kandam present in Kantapuranam, which mentions it as one of the nine continents of old times, or one of the nine divisions of India and the only region not to be inhabited by barbarians.
•According to the Matsya Purana, Manu was the king of Dravidadesa (South Indian country) in Kumari Kandam.
•There are references for Kumari Kandam present in Garuda Puranam. Also, There are scattered references in Sangam literature, such as Kalittokai 104, to how the sea took the land of the Pandiyan Kings, after which they conquered new lands to replace those they had lost.
References of Kumari Kandam (Lemuria) in Chinese & Greek Literature
In some of the ancient Chinese chronicles, there are references to Pahruli river, Peru river and Meru Mountain (with 49 peaks) from where the Kumari River, Peru river and Pahruli river were originated (according to Tamil literature). It is said that Chinese laborers were employed by the Pandiyan King and when they went down the mines they appeared like a huge army of small ants. Therefore, they were called pon thondi erumbukal (Gold mining ants). This is also confirmed by ancient Chinese chronicles.
Megasthenes (ca. 350 – 290 BCE), a Greek ethnographer and explorer in the Hellenistic period, authored the work Indika, the account of his travels in India. In this work, he says that Taprobane (old name of Sri Lanka) was separated from the mainland (Indian Peninsula) by a river, which means that during the period of Megasthenes, Sri Lanka could have been connected to Indian Peninsula by a small landmass in between them and was divided by Thamirabarani River (Porunai River).
The current Thamirabarani River in Tamil Nadu flows into the sea suggests that the Thamirabarani River would have reached Sri Lanka through a now-submerged landmass existed between Indian Peninsula and Sri Lanka during the period of Megasthenes.
Archaeological Data supporting existence of Kumari Kandam.
 'https://www.facebook.com/KumariKandam/photos/pb.271043166241970.-2207520000.1426125263./273487802664173/?type=3&theater'
The marine archeological findings at Poompuhar (Tamil Nadu) by marine archeological research conducted by the National Institute of Marine Archeology (Goa) reveals that much of the town of Poompugar (Tamil Nadu) was washed away by progressive erosion and a Tsunami around 300 BC.
•Ancient Pottery dating back to the 4th century BC have been discovered off shore by marine archeologists east of this town. The timeline of this Tsunami also coincides with the timeline (after the period of Megasthenes visit to India) of the submergence of landmass which was claimed to be existed between Indian Peninsula and Sri Lanka according to Megasthenes accounts
The geological survey reveals that most of the places in the land under the sea, where Kumari Kandam is claimed to be existed, has the maximum depth of the sea of 200 meters. In some of the places, the maximum depth of the sea is 2000 meters. Since, these areas has low sea depth, there are more possibilities to exists a now-submerged land in which people lived.
•Languages spoken by Australian tribes, African tribes, Andaman and Nicobar tribes and Lakshadweep tribes are identical to Tamil language. So, there are high possibilities that there might be a connecting land which exists in between India, Australia and Madagascar
•Types of plants, trees and animals present in Africa and Madagascar are identical with that of in India. So, there might be a connecting land which exists in between India and Madagascar.
According to th Kumari Kandam tradition, over a period of about just 11,000 years, the Pandyans, a historical dynasty of Tamil kings, formed three Tamil Sangams, in order to foster among their subjects the love of knowledge, literature and poetry. These Sangams were the fountain head of Tamil culture and their principal concern was the perfection of the Tamil language and literature. The first two Sangams were not located in what is now South India but in antediluvian Tamil land to the south which in ancient times bore the name of Kumari Kandam, literally the Land of the Virgin or Virgin Continent.
'Map of Lemuria superimposed over the modern continents from Scott-Elliott's The Story of Atlantis and Lost Lemuria

http://en.wikipedia.org/wiki/Lemuria_(continent)''Kadal Vowval word to denote uprising of sea annotated by Nachinarkiniyar in Tamil Sangam (6th Century BCE). Kadal Kol, Kadarperuku (like Aadi Peruku) are the others used in various Tamil Sangams.

 Underlined words in image.

https://www.facebook.com/KumariKandam/photos_stream

 1. Kadal Vowval: fierce uprsing of the sea
 2. Mel Sendru: people climed up (in the mountains)
 3. Palhi Theerndha Vellayum: the white waves that sought revenge
 4. Ma Kadal Kalakua Ma Kondra Madanga Por: with the sea waging a huge war

 {Poem 104, from Kalithogai, Chapter Mullaikili - describes how the land of Kumari was consumed by sea}

 Tsumani is a word from Japan, first used only in 1897, means only Tidal Wave.' The First Sangam (Mutaṟcaṅkam) is described as having been held at the Pandiyan King’s capital city, Madurai (Kadal Konda Then Madurai – which means Southern Madurai which was submerged in the sea. The old Madurai was called as Southern Madurai to differentiate it with the capital city of Madurai of third Sangam), which lasted a total of 4440 years, and had 549 members, which supposedly included some gods of the Hindu pantheon such as Siva, Kubera and Murugan. A total of 4449 poets are described as having composed songs for this Sangam. There were 89 Pandiyan kings starting from Kaysina valudi to Kadungon were decedents and rulers of that period.
If credence is given to this commentary, then the beginning of first Sangam should be placed somewhere in 9000 B.C.
Most of the lands of Kumari Kandam were submerged in the sea during first devouring of the land by the sea. Then, the Pandiyan King and the remaining people migrated to the remaining land of Kumari Kandam and the king moved his capital to Kapatapuram. At the same time, the present location of Tamil Nadu was ruled by Chera, Chola, and 46 other small kingdoms.
The Second Sangam (Irandaam Caṅkam, Iṭaicaṅkam) was convened in Kapatapuram, the then capital city of Pandiyan King. This Sangam lasted for 3700 years and had 59 members, with 3700 poets participating. There were 59 Pandiyan kings starting from Vendercceliyan to Mudattirumaran were decedents and rulers of that period.
This city was also submerged in sea. Ramayana and Arthasastra of Kautalya corroborates the existence of a city named kavatapuram. There is a reference to a south Indian place called kavata by sugriva in a verse which runs something like ‘having reached Kavata suitable for Pandiya‘. The place kavata is also mentioned by Kautalya (also known as Acharya Chanakya) in Arthasastra.
Having lost the complete Kumari Kandam, the Pandiyan King conquered the part of lands belonging to the Chola and Chera kings (Silapathikaram, Maturaikkandam, verses 17-22) and made Korkai, a seaport on the southernmost tip of the Indian Peninsula, as his capital and in later times moved his capital to the current city of Madurai.
The Third Sangam (Moondraam Caṅkam, Kaṭaicaṅkam) was purportedly located in the current city of Madurai, the then capital city of Pandiyan King, and lasted for 1850 years. There were 49 Pandiyan kings starting from Mudattirumaran (who came away from Kabadapuram to present Madurai) to Ukkirapperu valudi were decedents and rulers of that period.
The academy had 49 members, and 449 poets are described as having participated in the Sangam.
It is the legendary sunken continent, according to many of the ancient extant Tamil literatures and some of the Sanskrit literatures. Almost 100 years back tamil nationalists came to identify and associate Kumari Kandam with Lemuria, a hypothetical “lost continent” posited in the 19th century to account for discontinuities in biogeography.
Located in the Indian and Pacific Oceans but now sunken, this sunked continent is believed to be the connections between Africa to South India, through Madagascar.
Ancient India vis-à-vis Modern Science.'s photo. Many of the earliest extant Tamil literary works and their commentaries, mentions a Tamil continent called Kumari Kandam, which was ruled by Pandiyan Kings for 10,000 years, before getting submerged in the Indian Ocean, south of present-day Kanyakumari district at the southern tip of India.
References of Kumari Kandam from some of the Tamil literary sources
According to Silappadhikaram, one of the Five Great Epics of Tamil Literature written in 2nd century CE, states that the cruel sea took the Pandiyan’s land, part of which was present between the rivers Pahruli and the mountainous banks of the Kumari. These rivers are said to have flowed in a now-submerged land.
Adiyarkkunallar, a 12th-century CE commentator on the epic, explains this reference by saying that there was once a land to the south of the present-day Kanyakumari, which stretched for 700 kāvatam from the Pahruli river in the north to the Kumari river in the south. The modern equivalent of the measurement kāvatam, which is also known as kātam in Tamil, is a distance of 6.25 miles (10.06 km).
Kanakkathikaram, a 15th century Tamil Mathematical literary work which is in the form of poems, defines the length of 1 kāvatam(1 kātam) as 24,000 muzham (33,000 feet, 6¼ miles) and it also defines the time taken to cover it which is the distance that can be covered by normal walk in 7½ Nāzhigai or 1 Sāmam (equivalent to 3 hours). So, the distance of 700 kāvatam is equivalent to 4,375 miles (7,041 km) in modern day measurements.
Ancient India vis-à-vis Modern Science.'s photo.Ancient India vis-à-vis Modern Science.'s photo.
Ancient India vis-à-vis Modern Science.'s photo. This land was divided into 49 territories, which he names as Seven coconut territories (elutenga natu), Seven Madurai territories (elumaturai natu), Seven old sandy territories (elumunpalai natu), Seven new sandy territories (elupinpalai natu), Seven mountain territories (elukunra natu), Seven eastern coastal territories (elukunakarai natu) and Seven dwarf-palm territories (elukurumpanai natu). All these lands, he says, together with the many-mountained land that began with KumariKollam, with forests and habitations, were submerged by the sea. Two of these territories were supposedly parts of present-day Kollam and Kanyakumari districts.
The 7th century CE commentary written by Nakkīranār for the Tamil literary work Iraiyanar Akapporul, gives the list of Pandiyan kings who ruled the Kumari Kandam. It also gives information about the three Tamil Sangams (assemblies of Tamil scholars and poets who do research on Tamil language and also creates literary works) which spans about 10,000 years
'A map of the Kumari Kandam according to the 20th century Tamil revivalist movement.

Wkipedia
The Free Encyclopedia.''நாவலன் தீவு (Kumari Kandam)   dravida-nadu.blogspot.com'Kumari Kandam (Tamil: குமரிக்கண்டம்) refers to a hypothetical lost continent with an ancient Tamil-Kerala civilization, located south of present-day India, in the South Indian Ocean. Alternative names and spelli...ngs include Kumarikkantam and Kumari Nadu. According to the modern science, Kumari Kandam is a pseudo-scientific concept. There have been references to it being the lost city of Atlantis that is propounded to have been submerged in the ocean in an unknown location.
'A map of Kumari Kandam, based on N. Mahalingam's map titled India in 30,000 BC (published in Gems from the Prehistoric past 1981.

Wikipedia
The Free Encyclopedia.' In the 19th century, a section of the European and American scholars speculated the existence of a submerged continent called Lemuria, to explain geological and other similarities between Africa, India and Madagascar. The plate tectonics theory is that Indian continent separated from Australia and pushed towards Asia thereby creating the Himalayas while Madagascar became part of Africa. A section of Tamil revivalists adapted, connecting it to the Pandyan stories of lands lost to the ocean, as described in ancient Tamil and Sanskrit literature. According to these writers, an ancient Indo-Tamilian civilization existed on the Lemuria, before it was lost to the sea in a catastrophe. In the 20th century, the Tamil writers started using the name "Kumari Kandam" to describe this submerged sub-continent. Although the Lemuria theory was later rendered wrong and obsolete by the continental drift theory, the concept remained popular among the Tamil revivalists of the 20th century. According to them, Kumari Kandam was the place where the first two Tamil literary academies (sangams) were organized during the Pandyan reign. They claimed Kumari Kandam as the cradle of civilization to prove the antiquity of Tamil language and cultures. It has to be noted that the current city of Kanya Kumari exists at the southern tip of India and it was part of state of Kerala (and its capital) until the state wide division of land after getting Independence from British Raj - when it was transferred to the governance under Tamil Nadu, the neighboring eastern state to Kerala. Kumari Kandam in literature expands into the southern Indian ocean joining Kerala, Tamil Nadu and Sri Lanka into one huge land mass. There are similarities of interest in language, foods, customs and appearance of folks belonging to these three regions to this day.
http://www.mysteryofindia.com/…/kumari-kandam-lost-continen…
Images:
https://www.facebook.com/KumariKandam/photos/pb.271043166241970.-2207520000.1426200971./396887066990912/?type=3&theater
http://kumari-kandam.blogspot.com/

MARCH 14,2015

Ancient India vis-à-vis Modern Science.'s photo.
Indian mathematician Aryabhata, among his many accomplishments, he discovered long before the west did, the approximate value of this Irrational and also famous Transcendental Number.
Aryabhata (Sanskrit: आर्यभट; IAST: Āryabhaṭa) or Aryabhata (476–550 CE) was the first in the line of great mathematician-astronomers from the classical age of Indian mathematics and Indian astronomy. His works include the Āryabhaṭīya... (499 CE, when he was 23 years old) and the Arya-siddhanta.

Ancient India vis-à-vis Modern Science.'s photo. Aryabhata worked on the approximation for pi (\pi), and may have come to the conclusion that \pi is irrational. In the second part of the Aryabhatiyam (gaṇitapāda 10), he writes:
caturadhikam śatamaṣṭaguṇam dvāṣaṣṭistathā sahasrāṇām
ayutadvayaviṣkambhasyāsanno vṛttapariṇāhaḥ.
Ancient India vis-à-vis Modern Science.'s photo. "Add four to 100, multiply by eight, and then add 62,000. By this rule the circumference of a circle with a diameter of 20,000 can be approached."
This implies that the ratio of the circumference to the diameter is ((4 + 100) × 8 + 62000)/20000 = 62832/20000 = 3.1416, which is accurate to five significant figures.
It is speculated that Aryabhata used the word āsanna (approaching), to mean that not only is this an approximation but that the value is incommensurable (or irrational). If this is correct, it is quite a sophisticated insight, because the irrationality of pi was proved in Europe only in 1761 by Lambert.
After Aryabhatiya was translated into Arabic (c. 820 CE) this approximation was mentioned in Al-Khwarizmi's book on algebra.

Wikipedia